Description:

New Yorker Cover, May 19, 1962
watercolor, ink, crayon and graphite on paper
signed Steinberg to the lower right
Strathmore blindstamp

22" ht. x 14" wd. (sight)
30.5" ht. x 21.5" wd. (framed)

LITERATURE

The New Yorker 19 May 1962 (illustrated in color on the cover)
J. Smith, Steinberg at  The New Yorker, New York, 2005, pp. 65

DESCRIPTION

A fine example of one of Saul Steinberg's earlier New Yorker Cover Illustrations, published on May 19, 1962. This is the original artwork by the artist. Executed in watercolor, ink, crayon and graphite on paper, with Strathmore Artists blindstamp to lower right of sheet. Rarely do Steinberg's New Yorker cover art originals surface. Two other additional cover art examples with slight variations for the May 19th issue (B & C examples) can be found in the 1978 bookSaul SteinbergKnopf/Whitney by Rosenberg on page 124. The work depicts the Ecole de New York eagle standing above the Ecole de Paris guitar. Additional arts and humanities categories are featured throughout the illustration, with figures standing atop columns all stacked atop a monument. An additional signature exists to the upper right hand portion of the illustration.

As noted on page 88 of Steinberg atThe New Yorker by J. Smith: "Steinberg was quick to see that in postwar America ---where the eagle of the New York School was sinking its talons into the guitar of the Ecole de Paris --- art had less to do with ideas or traditions than with power, intimidation and prestige. Everything has a message, he noted, even the smell of museums. In Europe, the museums smell of town halls and grad schools, in America they smell like banks."

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    Condition:
  • Slight matburn or toning to the paper corresponding with mat.

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September 14, 2023 1:00 PM EDT
Cincinnati, OH, US

Caza Sikes

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